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The Pulse Of Percussion: Hand Drums In Worship PDF Print E-mail
Written by Ross McDouall   
Sunday, 23 November 2008
UK musician Ross McDouall nails simple steps for percussionists to bring texture to worship.

What is the role of percussion, and the percussionist, in the worship band setting?

In some ways, the answer to this depends on whether the worship band in question has a drummer. If a percussionist is playing as the only source of "rhythm" (I use "quotes" because some pianists-guitarists-bassist will tell you that they provide the rhythm as well - we know better!), then our role is to rhythmically support the song. We add much needed dynamic changes to help create a "feel" or "groove." However, above all this is our real need to understand that we are helping people to connect with God, and in order to do so we must be sensitive. If we are playing with a drummer, then we can add new flavors and textures to bring life to songs. I find it a joy to work with a good percussionist if I am playing the drumkit, as we can both support and work with each other.

What is the most common mistake you see percussionists make?

Like any musician, the most common mistake percussionists make is over-playing. There are often times in worship when tinkling around on some random items of percussion can be a real distraction. Music needs space, so keep an ear and eye out for musical changes, and for how the congregation is responding. There is no point in beating insanely on a large djembe during a quiet reflective song in ministry time! This sounds like obvious advice, but I speak from experience!

What tips would you give to percussionists trying to learn their instrument?

Here are a few of the best bits of advice I ever received:

  • Keep it simple. Don't over-play.
  • Use variation. I.e. Use a shaker on the verse, and congas on the chorus.
  • Find a good teacher. There is no substitute for an experienced instructor.
  • Buy an instructional VHS or DVD. There are loads out there. Pick a basic one and you will get some sound advice and some great tips on playing some well-known patterns.
  • Listen to as much music as you possibly can. This is my most important tip. Every time you watch a concert, or see a live band, watch the percussionist and listen to what they are doing.
  • Play as often as you can.
  • Have fun.
  • Remember to worship while you play.


What is your favourite combination of percussion to use in a worship setting?

My ideal combination would be too use congas, a djembe (medium size), a tambourine, shakers (different sizes make different sounds), a wood block and a cowbell. Additionally, I would use a cymbal (thin crashes are best) and if possible - a bell tree. They can seem cheesy - but great in the right moment! Soft cymbal sticks are always a good tool to have on hand.

What can percussion add to the music that other instruments can't?

I feel percussion can add an earthy, natural feel to worship. There is something very powerful, not to mention biblical, about a pounding drum. In particular, the djembe has become very popular as it has a deep, resonant bass note. A rhythmic pulse can help us to concentrate, and in worship this can be helpful when connecting with God.

What important things should a worship percussionist remember?

Just remember that it is a real privilege to play in a worship band. Helping people to worship is a very important thing to do. Remember that if you can worship while you are playing, then in most cases so will other people. Remember that you are not performing as a solo artist. The goal is not to be noticed as a percussionist, but to play as a great worship band. This takes practice and prayer. In playing, if in doubt, leave it out.

 
Ross McDouall lives and works in Nottingham England, and is a member of the Trent Vineyard. He has been a professional drummer/percussionist for the last 4 years, and has been playing the drums since he was 11. Ross has just completed work on Hold On (Vineyard Music UK). In his spare time he enjoys winding up worship leaders, and playing out of time in rehearsals to confuse other band members.